Enna Solla Pogirai Film Review: A Innocent Romcom That Misses A Few Beats

Remember Remo? Yes, that film wherein Sivakarthikeyan falls in love with an already-engaged Keerthy Suresh, however nevertheless almost coerces her into falling in love with him. In a few approaches, Enna Solla Pogirai is what we get while the roles are reversed and we get a boy who’s engaged to marry, and some different beats similar to the 2016 movie. Considering the robust performances by the girls—Teju Ashwini and Avantika Mishra—we ought to have, in reality, had a terrific gender reversal of a as an alternative intricate Remo-ish film. However, director Hariharan has different plans, and at the same time as a few are carried out to perfection, some others are middling, and the relaxation…

Cast: Ashwin Kumar, Teju Ashwini, Avantika Mishra, Pugazh

In Vaali, the protagonist models a non-existent love tale to impress the lady he’s inquisitive about, but he gets into trouble while his fictional female seems to be real, and worse, meets his liked. Something comparable happens in Enna Solla Pogirai, however the meeting is clearly orchestrated via Vikram (Ashwin Kumar), and the entirety that could go incorrect, goes wrong… The other facets of this apparently convoluted love triangle are Anjali (Avantika) and Preeti (Teju). Billed as Cook with Comali-reputation Ashwin Kumar’s release as a lead hero, Enna Solla Pogirai capabilities extra as a celebrity vehicle for Teju and Avantika who get author-sponsored roles. While Vikram’s task as an RJ doesn’t upload a whole lot to the film, theatre artiste Preethi and romance fiction writer Anjali actually use their strengths to determine out their lives. 

While the idea of affection propagated is as cliched as it may get, the serendipitous romance scenes translate nicely on display. Hariharan’s selection to now not rush these scenes lets in us to get familiar with Vikram, Anjali and Preeti. It is astonishing how each of those equations regularly blossoms inside the film. Vikram and Anjali don’t truely hit it off straight away, and despite the fact that the latter’s love for Vikram would possibly seem rushed, it’s miles a mirrored image of the person Anjali is. Her idea of love might be warped but it is fiercely her own. The same holds desirable for Preethi, who’s as confident as she is conflicted, and her nicely-based catch 22 situation propels the film forward. It is Vikram who gets lost in among Anjali and Preeti, and his misgivings and misplaced anger don’t truly appear justified. While Ashwin feels maximum at home inside the tune sequences and the preliminary meet-cutes, the heavy lifting in the emotional scenes are performed via Teju and Avantika, and the lack of readability in his position receives meditated in his overall performance too. Enna Solla Pogirai is basically the story of robust-willed women who’re in brief thrown off course of their lives by using the intrusion of a fascinating yet superfluous guy.

“Do I love her?” “Does he love me?” “Do I love him?” “Does she love me?” “Does she love him?” There’s most effective a lot of this you may take in a movie that isn’t precisely novel and keeps working in safe zones. The current Ashok Selvam movies—Ninnila Ninnila/Theeni and Oh My Kadavule—have been love triangles too however added in an detail of fantasy to add novelty. This is wherein Enna Solla Pogirai falters, and the commonplace conversations don’t help either. Another downside is the compelled comedy song proposing Ashwin’s Cook with Comali co-superstar Pugazh. In fact, his presence within the emotional scenes work higher than inside the comic quantities. While it does add points to Pugazh’s acting credentials, the film isn’t a great example of his chops as a comic.  

There’s a famous meme of a musician on a beach gambling a flaming piano—used commonly to signify musical brilliance. I stored thinking of it, while ingesting the tune of Enna Solla Pogirai, which is without difficulty amongst Vivek-Mervin’s first-rate works. The director too treats the soundtrack with the respect it deserves. We don’t frequently get well-made romantic musicals (points to DOP Richard M Nathan for the ones wealthy visuals, specifically the songs) in our cinema, and in lots of methods, Enna Solla Pogirai seems to fill that vacuum. It doesn’t do a extraordinary job of it, but it’s definitely a respectable cost-addition.

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